{"id":87,"date":"2017-04-25T15:59:47","date_gmt":"2017-04-25T14:59:47","guid":{"rendered":"http:\/\/blog.stephenschofield.ca\/?page_id=87"},"modified":"2026-05-30T09:27:32","modified_gmt":"2026-05-30T13:27:32","slug":"atelier","status":"publish","type":"page","link":"https:\/\/blog.stephenschofield.ca\/en\/atelier\/","title":{"rendered":"TEXTS"},"content":{"rendered":"\n
Essais\/Essays<\/h6>\n\n\n\n

All\u00e9gorie du maitre chat, Stephen Schofield, septembre 1987<\/a><\/p>\n\n\n\n

Entrevues et Conf\u00e9rences\/Interviews and Lectures<\/h6>\n\n\n\n

\u00c9cole nationale sup\u00e9rieure d\u2019art Limoges, Limoges, France, 6 mars 2018<\/a><\/p>\n\n\n\n

Stephen Schofield, Brainard Carey, Yale University Radio WYBCX, 2015<\/a><\/p>\n\n\n\n

Conversations in Contemporary Art, 24 Octobre, 2013, Universit\u00e9 Concordia<\/a><\/p>\n\n\n\n

Atlanta Center for Contemporary Art, Conversation avec Dana Schutz anim\u00e9 par Stuart Horodner, 19 F\u00e9vrier 2011<\/a><\/p>\n\n\n\n

Voices: artists on <\/a>art<\/a><\/p>\n\n\n\n

Portragram, Stephen Schofield, Oz Yilmas, 29 avril 2017<\/a><\/p>\n\n\n\n

Textes critiques\/Critical\u00a0essays<\/h6>\n\n\n\n

Entre Daigneault et Schofield, Nicolas Mavrikakis, Le Devoir, 02 mai 2026<\/a><\/p>\n\n\n\n

Au pays de la porcelaine, Claire Calano, Vie des arts, septembre 2017<\/a><\/p>\n\n\n\n

Place \u00e0 l\u2019anti-monument, J\u00e9r\u00f4me Delgado, Le Devoir, 28 mai 2016<\/a><\/p>\n\n\n\n

Porcelain: breaking tradition, Isa Tousignant, Canadian Art Magazine, spring 2014<\/a><\/p>\n\n\n\n

The Fuller Void, Richard Tuttle, 2010<\/a><\/p>\n\n\n\n

Stephen Schofield, Donald Brackett, Canadian Art, 2006<\/a><\/p>\n\n\n\n

Foncer devant l’inconnu, Jean-Claude Rochefort, Le Devoir, 7 juillet 2002<\/a><\/p>\n\n\n\n

Body Building, Kim Fullerton, Canadian Art, automne 2000<\/a><\/p>\n\n\n\n

Stephen Schofield\u2019s udderly precipitous ride through art-making, Blake Gopnik, The Globe and Mail, 11 mars 2000<\/a><\/p>\n\n\n\n

L\u2019enveloppe de la sculpture, Catherine B\u00e9dard, Critique, avril 1998<\/a><\/p>\n\n\n\n

L’Aquarium, Catherine Legallais, Parachute, octobre 1997<\/a><\/p>\n\n\n\n

Body comes alive in Mississauga gallery, Michael Dault, The Globe and Mail, 04 October1997<\/a><\/p>\n\n\n\n

Sculpting a vision for the future, Vicki Shearer, The Guelph Mercury, 06 November 1997<\/a><\/p>\n\n\n\n

En Haute-Vienne, trois artistes contemporains tentent de comprendre la nature, Philippe Dagen, Le Monde, 13 ao\u00fbt 1996<\/a><\/p>\n\n\n\n

Le corps, ses alt\u00e9rations et ses \u00e9garements, Marie-Mich\u00e8le Cron, Le Devoir, 01 mai 1994<\/a><\/p>\n\n\n\n

Des objets o\u00f9 explose la violence du d\u00e9sir, Marie-Mich\u00e8le Cron, Le Devoir, 29 ao\u00fbt 1992<\/a><\/p>\n\n\n\n

Stephen Schofield et Charles Ray, Vanguard, David McFadden, 1985<\/a><\/p>\n\n\n\n

Stephen Schofield, Janice Seline, Vanguard, December\/January 1982\/1983<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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